A wonderfully warm studio of an architectural practice in Gujarat

d6thD design studio’s workspace embodies its design principles regarding tradition, innovation and sustainability.

Curated by: Rupali Sebastian
Photographs: Inclined Studio; courtesy d6thD design studio

The site

As an integral part of the rural fabric, Tribhuvana is Himanshu Patel and his practice d6thD design studio’s workspace located in a village called Khanderaopura near Ahmedabad, Gujarat. Nestled within a farm, the building group exists alongside the ongoing farming activities that flourish across the surrounding expanse. Situated in proximity to an expansive lake and a road, this unique environmental tapestry serves as a catalyst for the building orientation.

The design intent

The very presence of this studio serves as a reminder that the village way of life, with its inherent authenticity and simplicity, can be a wellspring of inspiration for modern ways of building. In every detail, this approach reflects the harmonious coexistence of heritage and innovation. It speaks of the designer’s reverence for their roots. From a professional standpoint, embodying the philosophy you preach through your own lifestyle is a powerful and authentic way to connect with clients and build trust. This alignment showcases authenticity, affirming that your design principles aren’t just concepts but integral parts of your own life. This congruence adds a layer of credibility to your work, demonstrating that you not only propose ideas but genuinely believe in their transformative power.

The spatial flow

The studio’s entrance, following Vaastu principles, leads to a captivating journey. A slender corridor opens into a courtyard, at the building’s core, a narrative of spatial dynamics. This space, framed by two guardian trees, exudes balance, seamlessly connecting indoors and outdoors. It offers a verdant sanctuary, providing respite and conversing with architectural cosmic language. The courtyard adapts during gatherings, becoming a dynamic canvas filled with pebbles, resonating with celebration and collective spirit.

On the east side of the courtyard’s wall, a temple niche stands as a celestial narrative woven into the architecture. A Ganpati placed in a jharokha like niche window engages in a silent dialogue with tradition and nature. As the sun’s earliest rays grace this element, it becomes a beacon of spiritual illumination, casting its radiance upon the heart of the dwelling.

The spatial progression is dramatic, immersing visitors in the building’s expanse, although the views vary. Unlike typical designs with outward vistas, this one takes an introverted approach, focusing on the inner courtyard. This courtyard becomes the centerpiece, offering an immersive experience within its intimate setting. The departure from outside to a very inclusive inside encourages a change in perspective, blurring the external environment, and shifting from passive observation to active engagement, where light, shade, and movement tell compelling stories.

As the name Tribhuvana suggests, there are essentially three building blocks. The architectural configuration takes shape as a dynamic L-shaped plan formed by three interconnected building blocks, each with its distinct purpose. With a climate-conscious design approach, the studio and residence blocks align north-south to combat heat gain. The multipurpose hall adapts easily, transitioning from presentations to communal discussions and events. Despite diverse functions and varied walls, a unified character emerges through a consistent material palette, featuring local stone, bricks, and terracotta tiles. Coloured glass in windows adds vibrancy, striking a balance between aesthetics and cohesion.

Adjacent to this configuration stands a solitary building which is entirely the studio space, creating a unique triad that captures the essence of spatial diversity and functional versatility. The studio space comprises a workspace and an office next to it. There is a small khadki that visually connects these two spaces. The south side openings face the lake, which also brings in a calm soothing breeze in late evenings. At the intersection of the studio block and the multipurpose hall is a seating beneath trailing creepers where daily chai sessions promote a sense of community at the studio.

A sustainable building

The design emphasises on climate responsiveness with carefully curated smaller openings that reflect sustainability and introverted planning. These openings offer a balance between flexibility and function, fostering a tactile connection with the environment. Recycling finds its place, with repurposed jaalis and materials redefining the architectural essence. Time-honoured window designs celebrate a harmonious balance between control and openness, giving the choice to connect with the outside or cocoon within. The architect feels a certain sense of thoughtfulness in these traditional elements. The narrative of these openings is further enriched through the incorporation of recycled triplet windows, which bestow an ability to modulate light and air as per comfort.

The western façade of the multipurpose hall uses terracotta jalis instead of regular windows to filter harsh sunlight and create a gentle connection between indoors and outdoors. This blend of traditional design, sustainability, and climate sensitivity enhances the overall experience.

High on storytelling

Objects in the courtyard have been thoughtfully sourced over years, from nearby villages, travels, and even home. For instance, the steps are made from stone chakki or grinder, once used in the domestic lives of villages. This selection honours the heritage and ingenuity, preventing their neglect or discard. This curation serves a dual purpose, being cost-effective and infusing a tactile essence into the surroundings. Each item holds a historical narrative, now brought to life, fostering connections and inviting stories.

In the spaces, objects celebrate resourceful ingenuity. Triangular jaalis, storage niches, a repurposed copper washbasin, and subtle brick embellishments creatively utilise available resources. The architect believes that the emotional quality of the space transcends its physical boundaries, infusing even the walls. These walls become canvases that absorb and reflect the surroundings, serving as storytellers that echo experiences, memories, and connections, fostering a sense of familiarity and belonging that goes beyond the material realm.

Incorporating local crafts and techniques not only reduces costs but also fosters local appreciation for their way of life. Himanshu’s sincere intention to dignify and empower craftsmen plays a vital role, infusing the building process with human spirit and heritage. Each artisan’s hand reflects the close bond between creator and creation. This collaboration results in an architecture that transcends physical form, shaped by the craftsman’s identity, skill, and the profound impact of human involvement on the building’s essence.

“Amidst these intricacies of spatial narration, we find the embodiment of a philosophy that transcends architecture as a mere physical construct; they become vessels of emotion, connection, and wellbeing,” states Himanshu. “This is architecture that breathes life with a power of design to shape not only spaces but the very essence of the human experience.”